I make abstract sculptures by using craft based processes such as knotless netting, weaving and braiding with raw industrial materials like rebar tie wire and recycled tire soaker tubing. My work is very labor-intensive, fueled by a compulsive need for repetition and reverence. Through endurance based processes I repeat stereotypical feminine gestures that defy the initial industrial function of these materials. My work involves variations in tension and density to consider vulnerability and explore the differences of being open or closed off, relaxed or uptight without passing judgement on either condition. Structures are often comprised of obsessively repeated gestures that are dysfunctional given the intended purpose of the materials yet ambitious given the context. In this way, my work defies expectations and conventions in the hope of discovering new systems for growth.